Performed by Per Boysen on twelve-stringed Stick Guitar and Fractal Audio AxeFx II. This is a free-form scuba live version, the main album version is different.
The physical “Stick Street” CDs just arrived from the pressing plant. I’m mostly selling them hand to hand at concerts, but you can also order a CD from:
http://perboysen.bandcamp.com/album/stick-street (packages posted from Stockholm, Sweden)
http://www.cdbaby.com/cd/perboysen5 (packages posted from Portland, OR, USA).
Digital Download sales are also available from those two web shops, but also at most other DDL Music web shops on the web.
Someone filmed at this concert and a few video clips are posted at http://www.youtube.com/perboysen
Erdem Helvacıoğlu and Per Boysen performs Sub City 2064 live in eight channel surround audio. An underwater epos and instrumental opera. Most scenes for this concert trailer were numberswiki.com
filmed at the Borusan Music House in Istanbul on Jan 7 2012. The concert’s duration exceeds an hour and is here cut down to 20 minutes with the surround audio converted to stereo.
A rough clip from my Oct 16 2011 concert at Santa Cruz International Live Looping Festival. Starting out with a basic sound-check I more info
kept on improvising to make up a 9:00 minutes piece of music. SG12 Stick Guitar with Roland GR55 synth and my home-built “meta instrument” of interactive electronics.
Erdem HELVACIOGLU + Per BOYSEN Présences… by inagrm
This gig was performed in octophonics. At the soundcheck we were told they
actually had set up two circles of eight speakers system. One big
circle with the big speakers surrounding the audience and one inner circle… or
should I rather call it “inner exploding core”? We decided to use
both. I had re-routed my laptop outputs for octaphonic treatments and
Erdem used his rack devices through a borrowed stage mixer to address
the surround system. On stage we had a stereo mix of all eight
surround channels, so the monitoring sound were rather flat.
If you click the source link there are more videos of many other artists. Among them many of my own favorites, like for example Biosphère and Supersilent.
After having my new instrument, the Chapman Stick, for five months I finally decided to shot a video of it. What makes the Stick so fun to play is that you can use both hands more or less as “two musicians that jam together”. The playing experience is very open and creative. Quite different compared to most ordinary instruments that force you to train multiple body parts until they become one unified performance machinery. Stick playing rather puts your brain into multi tasking mode and calls for a split vision attitude.
Powerful live sound design options
Another thing I like with the Stick is the powerful live sound design options you get by having two fretboards going out through separate outputs – meaning you can treat them with two different effect chains. I plug those two outputs into a laptop running Mainstage.
I’m learning a new music instrument here, The Chapman Stick. It’s so fun because on the stick you can play both bass, comping chords and melody lines at the same time. The instrument has twelve strings divided into two groups of six and each group has its own set of electro magnetic pickups and output.
The Stick was invented by musician Emmet Chapman in the late sixties to be used by himself as his “custom instrument”. However, many folks that heard him play also wanted sticks so Emmet started manufacturing in -74. I feel honored having an instrument actually built by the inventor. Thank you, Emmet!
Here’s where you can read more about The Chapman Stick.
Epilogue: Below is a quick video I recorded as a freshman on the Stick. I will soon upload something more exciting, as I’m slowly rewiring brain to improve its skills as the conductor of the “two independent hands” orchestra.