Performed by Per Boysen on twelve-stringed Stick Guitar and Fractal Audio AxeFx II. This is a free-form scuba live version, the main album version is different.
Erdem Helvacıoğlu and Per Boysen performs Sub City 2064 live in eight channel surround audio. An underwater epos and instrumental opera. Most scenes for this concert trailer were numberswiki.com
filmed at the Borusan Music House in Istanbul on Jan 7 2012. The concert’s duration exceeds an hour and is here cut down to 20 minutes with the surround audio converted to stereo.
A rough clip from my Oct 16 2011 concert at Santa Cruz International Live Looping Festival. Starting out with a basic sound-check I more info
kept on improvising to make up a 9:00 minutes piece of music. SG12 Stick Guitar with Roland GR55 synth and my home-built “meta instrument” of interactive electronics.
Erdem HELVACIOGLU + Per BOYSEN Présences… by inagrm
This gig was performed in octophonics. At the soundcheck we were told they
actually had set up two circles of eight speakers system. One big
circle with the big speakers surrounding the audience and one inner circle… or
should I rather call it “inner exploding core”? We decided to use
both. I had re-routed my laptop outputs for octaphonic treatments and
Erdem used his rack devices through a borrowed stage mixer to address
the surround system. On stage we had a stereo mix of all eight
surround channels, so the monitoring sound were rather flat.
If you click the source link there are more videos of many other artists. Among them many of my own favorites, like for example Biosphère and Supersilent.
This album is a live recording of a musical duo improvisation session that took place in Rome on June 5 2009. Fabio Anile plays the Piano and the Synthesizer and Per Boysen plays the Alto Flute and the EWI (Electric Wind Instrument). Both musicians simultaneously play also interactive electronics, particularly utilizing the technique known as Live Looping.
Exceptions are two tracks that were recorded later as a studio based long distance collaboration: Counterpoint (4) where Per plays the Chapman Stick and Bird’s View (7) where Per plays the Electric Guitar while Fabio doubles on Shakers, the Cajun and the Thelevi.
Mixing and Mastering: Per Boysen
Album and track artwork by Fabio Anile.
Unexpected is digitally distributed all over the Internet, but I would advice anyone to check it out at Bandcamp because that’s the only digi music web shop I know of that allows specific artwork for each song of the albums.
Sub City 2064 was among Editor’s Top Three CDs in Guitar Player magazine’s september issue of 2010. It’s a big honor to be mentioned together with icons like Stockhausen, Hassell, Eno, NIN and Pink Floyd!
I made this music because Erdem inspired me in our collaborative duet experiment and also because I’ve always wanted music like this; music that doesn’t restrict itself by a particular “style”, “instrument” or “scene”, music that exists for no other reason than that someone actually loved it enough to make a recording so that other people may enjoy the same experience.
Psychemusic.org is putting our album on this weekends radio playlist called “PIONEERS AND CREATIVE VISIONARIES: MASTER PIECES OF ELECTRONIC MUSIC, TAPE MUSIC & ELECTRO-ACOUSTIC MUSIC & COMPUTER MUSIC“.
Live electronics has been used more and more not only as a tool to chose some new effects or distortions on the instrument, but also a real instrument with its own pallet of programmed changes. Turkish born Erdem Helvacıoğlu and Swedish Per Boysen both have experience in this field. Erdem uses the guitar, the cello guitar and a drum machine as his main instruments for additional filters, programming and electronic processing. Per plays flute and some tenor sax and horns and uses EWI, and his ‘step-o-phonic looperformer’ meta instrument, fretless bass and live electronics. This way improvisations between two artists start from a wide and colorful pallet, where the guitars are not only used as live melodic playing, but also for all sorts of guitar strings reverberations, from fast to slow, sometimes used with overlaps so that there is an orchestral feeling moving and somewhat evolving into space consisting of a near ambient setting of sound-paint and drones, mixed with a few different rhythmic but colorful variations. The strangest sounds come from the cello guitar, which sound like a balloon performance on one occasion (track 5). Overlaps, loops, effects and textures are also used in the mix. The horns are a few times a great extension of an effect in the bass parts. Interesting!
Springtime in Sweden always starts at the west coast. It’s an honor for me to share an evening at BrÖtz in Gothenburg with Lloyd and Harald Svensson! The club is located in Konstepideming at Linnéplatsen, tram line 1 or 6. Street address “Karl Eric Hammaréns backe”. The beautiful poster below, fearlessly mutilated by me, was designed by Karin Linderoth.
Clinics hold in Swedish – concerts in Bb. Pre booking, please see poster below: