Category Archives: Media Coverage

Live video from Présences Electronique 2011


Erdem HELVACIOGLU + Per BOYSEN Présences… by inagrm
This gig was performed in octophonics. At the soundcheck we were told they
actually had set up two circles of eight speakers system. One big
circle with the big speakers surrounding the audience and one inner circle… or
should I rather call it “inner exploding core”? We decided to use
both. I had re-routed my laptop outputs for octaphonic treatments and
Erdem used his rack devices through a borrowed stage mixer to address
the surround system. On stage we had a stereo mix of all eight
surround channels, so the monitoring sound were rather flat.

If you click the source link there are more videos of many other artists. Among them many of my own favorites, like for example Biosphère and Supersilent.

Guitar Player Magazine: Editor’s Top Three CDs


Sub City 2064 was among Editor’s Top Three CDs in Guitar Player magazine’s september issue of 2010. It’s a big honor to be mentioned together with icons like Stockhausen, Hassell, Eno, NIN and Pink Floyd!

I made this music because Erdem inspired me in our collaborative duet experiment and also because I’ve always wanted music like this; music that doesn’t restrict itself by a particular “style”, “instrument” or “scene”, music that exists for no other reason than that someone actually loved it enough to make a recording so that other people may enjoy the same experience.

CDM covers one of my electronic instrument designs!

Wow, what an honor only to be mentioned by such a great webzine as CDM, Create Digital Music! “Dreams of a Musical Future: Digitópia Winners’ Wondrous Creations”.

As a matter of fact I did use my Steppophononic Looperformer at one track on the recently released duo album Sub City 2064 with Erdem Helvacıoğlu. Here’s a link to a track where I use that electronic design to play both the flute pads and the synth sequence simultaneously.

Musical instrument of three dimensional performance

Note how three musical lines are created at the same time; (1) flute melodies, (2) chords layered by livelooping overdubbed long flute notes and (3) matching arpeggios (instantly snagged flute sample, live sequenced and sent through beat synced filters). All three parts following my harmonic on-the-fly improvisation.

Sharing my vision according to Creative Commons

This version of my Steppohonic Looperformer is like a pilot test. I mocked it up with Plogue Bidule and Expert Sleeper’s Crossfade Loop Synth Effect. Not technically optimal, but musically it worked well enough to be used on this record. I published the functionality design idea under a CC license so if you are a programmer you are allowed to steal the idea to create a plugin or whatever. Here is the link to my presentation.

First reviews of Sub City 2064

Psychemusic.org is putting our album on this weekends radio playlist called “PIONEERS AND CREATIVE VISIONARIES: MASTER PIECES OF ELECTRONIC MUSIC, TAPE MUSIC & ELECTRO-ACOUSTIC MUSIC & COMPUTER MUSIC“.

Review:
Live electronics has been used more and more not only as a tool to chose some new effects or distortions on the instrument, but also a real instrument with its own pallet of programmed changes. Turkish born Erdem Helvacıoğlu and Swedish Per Boysen both have experience in this field. Erdem uses the guitar, the cello guitar and a drum machine as his main instruments for additional filters, programming and electronic processing. Per plays flute and some tenor sax and horns and uses EWI, and his ‘step-o-phonic looperformer’ meta instrument, fretless bass and live electronics. This way improvisations between two artists start from a wide and colorful pallet, where the guitars are not only used as live melodic playing, but also for all sorts of guitar strings reverberations, from fast to slow, sometimes used with overlaps so that there is an orchestral feeling moving and somewhat evolving into space consisting of a near ambient setting of sound-paint and drones, mixed with a few different rhythmic but colorful variations. The strangest sounds come from the cello guitar, which sound like a balloon performance on one occasion (track 5). Overlaps, loops, effects and textures are also used in the mix. The horns are a few times a great extension of an effect in the bass parts. Interesting!stalker trainer Prada Silver Fringe Handbag cole haan pump tortoise
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