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	<title>Comments on: What is Livelooping?</title>
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	<link>http://www.perboysen.com/archives/1</link>
	<description>In search of the unplayed music...</description>
	<lastBuildDate>Sat, 31 Jul 2010 18:07:03 +0000</lastBuildDate>
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		<title>By: Maire Breglec</title>
		<link>http://www.perboysen.com/archives/1/comment-page-1#comment-12687</link>
		<dc:creator>Maire Breglec</dc:creator>
		<pubDate>Sun, 27 Jun 2010 19:43:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.perboysen.com/?p=1#comment-12687</guid>
		<description>&lt;i&gt;Why not call improvisation a means of composition, or vice versa? In other words it oftenly seems to make sense to compose in a live context and record the improcomposition, if to turn it into an almost classical repetition of what it was at first at a later stage. Why not repeat it, when it was good?Thank you very much for the looper comparison chart (note that repeater has 999 loops, not 99&#8230;)&lt;/i&gt;
+1</description>
		<content:encoded><![CDATA[<p><i>Why not call improvisation a means of composition, or vice versa? In other words it oftenly seems to make sense to compose in a live context and record the improcomposition, if to turn it into an almost classical repetition of what it was at first at a later stage. Why not repeat it, when it was good?Thank you very much for the looper comparison chart (note that repeater has 999 loops, not 99&#8230;)</i><br />
+1</p>
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		<title>By: LnddMiles</title>
		<link>http://www.perboysen.com/archives/1/comment-page-1#comment-276</link>
		<dc:creator>LnddMiles</dc:creator>
		<pubDate>Wed, 22 Jul 2009 02:51:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.perboysen.com/?p=1#comment-276</guid>
		<description>Pretty cool post. I just stumbled upon your blog and wanted to say
that I have really liked reading your blog posts. Anyway
I’ll be subscribing to your blog and I hope you post again soon!</description>
		<content:encoded><![CDATA[<p>Pretty cool post. I just stumbled upon your blog and wanted to say<br />
that I have really liked reading your blog posts. Anyway<br />
I’ll be subscribing to your blog and I hope you post again soon!</p>
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		<title>By: Per Boysen</title>
		<link>http://www.perboysen.com/archives/1/comment-page-1#comment-7</link>
		<dc:creator>Per Boysen</dc:creator>
		<pubDate>Sun, 04 Jan 2009 16:17:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.perboysen.com/?p=1#comment-7</guid>
		<description>@jayrope, 
Interesting points! Yes, I&#039;ve heard that Mozart was a great improviser as well as a composer, so maybe he was using your method ;-)  Myself, I&#039;m not only in love with the resulting sound of the music but also with the thrill, the excitement, the process and the power in the &quot;wide open present&quot; when you stick to improvisation. Regarding 999 loops of the Repeater, I&#039;ll correct the typo. Thanks for telling! Regarding &lt;em&gt;composition vs improvisation&lt;/em&gt; one reason to keep them apart might be when the composer writes into his score instructions for he players to improvise along along certain given rules. I was talking to Elliott Sharp at &lt;a href=&quot;http://www.stockholmnewmusic.se/default2.asp&quot; target=&quot;_blank rel=&quot;nofollow&quot;&gt; Stockholm New Music&lt;/a&gt; and he showed me his score where each one of the four bass clarinet players at a certain part of the composition has to chose one out of many optional parts and loop that note sequence in their playing. What Sharp has done in that score is in fact to build an &lt;a href=&quot;http://www.spectrasonics.net/instruments/stylusrmx.html&quot; target=&quot;_blank rel=&quot;nofollow&quot;&gt;RMX Chaos&lt;/a&gt; random function into a live ensemble!</description>
		<content:encoded><![CDATA[<p>@jayrope,<br />
Interesting points! Yes, I&#8217;ve heard that Mozart was a great improviser as well as a composer, so maybe he was using your method <img src='http://www.perboysen.com/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' />   Myself, I&#8217;m not only in love with the resulting sound of the music but also with the thrill, the excitement, the process and the power in the &#8220;wide open present&#8221; when you stick to improvisation. Regarding 999 loops of the Repeater, I&#8217;ll correct the typo. Thanks for telling! Regarding <em>composition vs improvisation</em> one reason to keep them apart might be when the composer writes into his score instructions for he players to improvise along along certain given rules. I was talking to Elliott Sharp at <a href="http://www.stockholmnewmusic.se/default2.asp" target="_blank rel="nofollow"> Stockholm New Music</a> and he showed me his score where each one of the four bass clarinet players at a certain part of the composition has to chose one out of many optional parts and loop that note sequence in their playing. What Sharp has done in that score is in fact to build an <a href="http://www.spectrasonics.net/instruments/stylusrmx.html" target="_blank rel="nofollow">RMX Chaos</a> random function into a live ensemble!</p>
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		<title>By: jayrope</title>
		<link>http://www.perboysen.com/archives/1/comment-page-1#comment-6</link>
		<dc:creator>jayrope</dc:creator>
		<pubDate>Sun, 04 Jan 2009 15:23:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.perboysen.com/?p=1#comment-6</guid>
		<description>Why not call improvisation a means of composition, or vice versa? In other words it oftenly seems to make sense to compose in a live context and record the improcomposition, if to turn it into an almost classical repetition of what it was at first at a later stage. Why not repeat it, when it was good?
Thank you very much for the looper comparison chart (note that repeater has 999 loops, not 99...)

Greta site, much respect, jayrope / Berlin</description>
		<content:encoded><![CDATA[<p>Why not call improvisation a means of composition, or vice versa? In other words it oftenly seems to make sense to compose in a live context and record the improcomposition, if to turn it into an almost classical repetition of what it was at first at a later stage. Why not repeat it, when it was good?<br />
Thank you very much for the looper comparison chart (note that repeater has 999 loops, not 99&#8230;)</p>
<p>Greta site, much respect, jayrope / Berlin</p>
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	<item>
		<title>By: fabio @nile</title>
		<link>http://www.perboysen.com/archives/1/comment-page-1#comment-5</link>
		<dc:creator>fabio @nile</dc:creator>
		<pubDate>Sun, 04 Jan 2009 14:58:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.perboysen.com/?p=1#comment-5</guid>
		<description>This site is a great idea, Per.
Looping has changed my life, as a musician.
It opens new creative and inspiring directions, fantasy
and creativity is the unique ceiling !
Best
Fabio</description>
		<content:encoded><![CDATA[<p>This site is a great idea, Per.<br />
Looping has changed my life, as a musician.<br />
It opens new creative and inspiring directions, fantasy<br />
and creativity is the unique ceiling !<br />
Best<br />
Fabio</p>
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		<title>By: Pingu</title>
		<link>http://www.perboysen.com/archives/1/comment-page-1#comment-4</link>
		<dc:creator>Pingu</dc:creator>
		<pubDate>Sun, 04 Jan 2009 14:49:43 +0000</pubDate>
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		<description>I just came across this other site http://www.livelooping.org that seems quite interesting as well. Check it out!</description>
		<content:encoded><![CDATA[<p>I just came across this other site <a href="http://www.livelooping.org" rel="nofollow">http://www.livelooping.org</a> that seems quite interesting as well. Check it out!</p>
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	<item>
		<title>By: Leo</title>
		<link>http://www.perboysen.com/archives/1/comment-page-1#comment-2</link>
		<dc:creator>Leo</dc:creator>
		<pubDate>Fri, 02 Jan 2009 20:06:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.perboysen.com/?p=1#comment-2</guid>
		<description>HAJSEN DIS SITE RULEZ!!!!!!!!111</description>
		<content:encoded><![CDATA[<p>HAJSEN DIS SITE RULEZ!!!!!!!!111</p>
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